Manuel Pelmuş A Monument for Kyiv

On Tuesday, October 10, 2017, at 6 PM, IZOLYATSIA presents A Monument for Kyiv, a performance by Romanian artist Manuel Pelmuş at the former site of the Lenin’s monument in Kyiv. On Wednesday, October 11, at 7 PM, an artist talk will be held at the IZONE Creative Community. The performance is the fourth and concluding chapter of the series of interventions within the framework of the Social Contract project started in June 2016.

Social Contract is a project by IZOLYATSIA aimed at creating a discussion platform for art community, society and the authorities on the status and functions of commemorative objects in public space, using the case of the Lenin statue in Kyiv as an example. The destruction of the statue of Lenin in Kyiv in December 2013 triggered a symbolic Leninfall around the country, calling into action a controversial set of laws on Decommunisation that lead to a broad polemic in Ukrainian society.

A Monument for Kyiv proposes a re-purposing of the former site of the Lenin monument as a (public) place for transformation. The venue suggests a space to rethink notions such as commemoration, (re)writing of history, politics of memory, and aims to become a site for production, rather than a mere place for (ideological) representation.

Through the performative strategies of enactment and embodiment, using only the human body as a medium, the artist is envisioning a return of the removed statue of Lenin only to transform it, by means of participation, into something else: open-ended, and always multiple. In order to create a new monument for Kyiv, Manuel Pelmuş is going to invite locals to participate in a choreographed action around the empty pedestal, thus giving them agency. So that the people could use their bodies to form a new monument that fulfills their expectations and needs. A Monument for Kyiv will be mutable, shifting, and will not occupy the space permanently, but, nevertheless, will suggest transformation and extension in time.

Supported by the Ministry of Foreign Affairs of Ukraine and the Department for Culture of the Kyiv City State Administration.

 

Previous editions

The first art intervention at the site of the Lenin monument within the Social Contract project was Cynthia Gutiérrez’s installation Inhabiting Shadows (July 9–16, 2016), attended by over 1500 people.

In November 2016, the Iranian artist Mahmoud Bakhshi has been invited for the second round of the project, contributing with the Endless Celebration installation (November 7–21, 2016).

According to the results of a popular vote, the winning project Ritual of Self-Nature by Mexican artist Isa Carrillo had been displayed at the site of the Lenin monument on May 3–17, 2017.

Details

Project curator: Kateryna Filyuk
Artist: Manuel Pelmuş
Opening: October 10, 2017, 6 PM
Address: Kyiv, bul. Tarasa Shevchenka 1

The artist talk will be held on October 11, at 7 PM, at the IZONE Creative Community, vul. Naberezhno-Luhova 8.

 

Social Contract 2017: Winner announced

IZOLYATSIA announced the winner of the Social Contract 2017 international competition for projects of a temporary art intervention at the former site of the Lenin monument in Kyiv. According to the results of the popular vote, it is the project Ritual of Self-Nature by Mexican artist Isa Carrillo that will be on display on May 3-17, 2017.

The idea of the Ritual of Self-Nature is using the healing powers of nature: the empty pedestal will be covered by rosemary plants. Isa Carrillo proposes to neutralise the ideological tension around the vacant pedestal and invites the citizens to join a shared quest for internal balance and calm. At the end of the project, the rosemary plants will be given away to passers-by who wish to adopt them.

“I find it symbolic that the popular vote chose a project stressing out the idea of purification of a very complex place, where in times of WWII stood a gallows and later the Lenin monument – with the help of nature. This choice also indicates a lack of green spaces in Kyiv. Temporary as it is, the installation will create a green zone instead of a bare granite pedestal,” says Kateryna Filyuk, the curator of the Social Contract project.

The popular vote for four finalists, shortlisted by an international jury, took place between April 3 and 9, 2017. Ritual of Self-Nature by Isa Carrillo got 38.5% of the votes, Ukrainian artist Mykyta Shalennyi’s Heroes Do Not Exist ranked second (31.1%), I Need a Hero by Milena Vučković (Serbia) – third (16%), and De Pedestal by art duo Afterall from Italy got 14.3% of the votes.

The international open call for projects of a temporary art intervention at the former site of the Lenin monument in Kyiv Social Contract 2017 took place between February 23 and March 25, 2017. 37 applications were received from 18 countries.

The temporary installation Ritual of Self-Nature by Isa Carrillo will be carried out by IZOLYATSIA at the former site of the Lenin monument in Kyiv on May 3-17, 2017.

Isa Carrillo was born in 1982 in Mexico. Her practice is influenced by mysticism and based on a research in graphology, astrology, and numerology. In 2015-16, she won a grant Incentives Programme of Creation and Artistic Development (PECDA), Jalisco, Mexico.

Started in 2016, Social Contract is a project by IZOLYATSIA aimed at creating a discussion platform for art community, society and authorities on the status and functions of commemorative objects in urban space, using the case of the Lenin statue in Kyiv as an example.

 

Popular vote for the finalists’ projects

IZOLYATSIA announces the popular vote for the project of an art intervention at the former site of the Lenin monument in Kyiv. Four projects have been shortlisted by the international jury and are now subjected to a general vote. The popular vote is over. The results will be announced shortly.

Finalists:


Afterall De Pedestal (Italy)

The project foresees an installation consisting of an unrefined wooden grid/cage which perfectly inscribes the pedestal of the former Lenin monument, on a scale 2:1. The installation will be placed horizontally and should be placed in the avenue next to the original pedestal. The marble pedestal gives then way to the lightness and precariousness of the raw wood, the verticality is torn down to become an horizontal wreck which lies on the ground. The full becomes empty, the male assertion becomes female reception. The pedestal is a symbol of reliability, strength and belief, adjectives on which our project wants to discuss, modulating its meanings, accepting the shades of meaning in view of a shared identity.


Milena Vučković I Need a Hero (Serbia)

Site-specific installation consists of one powerful Searchlight placed on emptied postament. It is active whole day, but fully noticeable and appreciated during dark of night, between sunset and sunrise. Searchlight shines and rotates its head around, lighting streets around, trees behind, facades and everything it can reach in search for Future Hero. It emphasises lack of plain and clear solutions, and need to see things in different light.


Isa Carillo Ritual of Self-Nature (Mexico)

The project consists of two parts. On the one hand, the idea is to cover with rosemary the empty Lenin’s pedestal during the days that the installation lasts. On the other hand, the artist intends to execute a meditation practice in which the attention will be focused on the breathing, a practice known in Sanskrit as shamata.

The plant of rosemary will function metaphorically as an antidepressant, a healer of blows and wounds, stimulant for circulation, concentration and memory, in other words it will do a therapeutic labour. The other part of the project will consists of open meditation sessions that will be carried out several times a week for 45 minutes. At the end of the project, the plants will be given away to passers-by who wish to adopt them.


Mykyta Shalennyi Heroes Do Not Exist (Ukraine)

From both sides of the pedestal, two rows of shelves will be placed for storing books, like in a library. Before these rows, two troughs with coal, lime or chalk will be put. Every citizen can put a board of plasterboard on the shelves for storing books and write something on it with coal or chalk.

Using the chalk, the visitors can record something they would like to get rid of or they would like to forget. Using the coal, people can write something that they do not want to lose.

The winning project will be carried out in Kyiv on May 3-17, 2017.

Results of the survey on decommunised monuments in Ukraine

During the Endless Celebration project by Mahmoud Bakhshi at the former site of the Lenin monument in Kyiv, IZOLYATSIA has carried out a survey. The questionnaire included four questions concerning Bakhshi’s installation and the general situation with the decommunised monuments in Ukraine. The respondents were asked to answer questions such as what must be placed instead of the decommunised monuments and who must make decisions on dismantling old monuments and installing the new ones.

The results of the survey can be found here.

 

Social Contract 2017: Open Call for Artists

Application deadline: March 25, 2017

IZOLYATSIA. Platform for Cultural Initiatives, Ukraine’s leading art institution, is inviting artists to participate in the competition for the project of a temporary public intervention on the former site of the Lenin monument in Kyiv, as part of its Social Contract project. The call is open to all artists, regardless of their age, gender, nationality, or practice.

The curatorial focus for the Social Contract is the concept of commemorative objects/rituals in public space that encapsulate certain historical narratives and political ideologies. The project is aimed at creating a discussion platform for art community, society, and authorities on the status and functions of commemorative objects in public space, using the case of the Lenin statue in Kyiv as an example.

The destruction of the statue of Lenin in Kyiv in December 2013 triggered the symbolic Leninfall around the country, calling into action a controversial set of laws on Decommunisation to a broad polemic in Ukrainian society. At the moment the vacant site holds an enormous ideological potential and is crucial in defining national identity, creating attitude to the recent painful past and formulating future agenda. Thus, an artistic intervention could create an arena for a broad discussion within the society.

Artists should understand the ethical issues involved, be relevant to local conditions and engage a broad audience. Consequently, suggested intervention should be compatible with the empty Lenin monument pedestal both spatially and conceptually and could be of any media and format. However, big-scale modifications of the site are not advised, due to the intervention’s temporary nature. For that matter, performative, participatory and interactive works will be given preference.

Previous editions

The first artistic intervention at the site of the Lenin monument within the Social Contract project was Cynthia Gutiérrez’s installation Inhabiting Shadows (July 9-16, 2016), attended by over 1500 people.

In November 2016, the Iranian artist Mahmoud Bakhshi has been invited for the second round of the project, contributing with the Endless Celebration installation (November 7-21, 2016).

Additional information

Learn more about the location here.

Selection process

Among the received entries, four artists will be shortlisted by the jury to participate in the second phase (Popular Vote). The winning project will be presented at the former site of the Lenin monument in Kyiv on May 1-17, 2017.

Framework

For the winning proposal an artist’s basic fee, travel costs, accommodation, per diem and production costs are to be covered by the hosting institution.

Application requirements

The applicants must provide following documents:

  • A letter of motivation, elaborating on the artist’s interest in the topic (no longer than 300 words);
  • A project description and a sketch with technical specification (no longer than 300 words);
  • Artist’s CV.

Entries must be submitted in English in one PDF file to the email address [email protected] with the title: “Social Contract Application [Last Name of Applicant]” no later than March 25, 2017.

Project curator: Kateryna Filyuk

Supported by the Department for Culture of the Kyiv City State Administration.

About IZOLYATSIA

IZOLYATSIA is a cultural platform founded in Donetsk in 2010 and relocated to Kyiv in June 2014 after the military occupation of its premises. The institution’s mission is to inspire positive change in Ukraine by using culture as an instrument. IZOLYATSIA has three intertwined directions of activity: art, education and projects geared at activating Ukraine’s creative sector.

Learn more at izolyatsia.org


Media partners

Installation by Mahmoud Bakhshi at the former site of the Lenin’s monument in Kyiv

On Monday, November 7, at 6 PM, IZOLYATSIA presents the Endless Celebration, a temporary installation by Iranian artist Mahmoud Bakhshi at the former site of the Lenin’s monument on Taras Shevchenko Boulevard in Kyiv. On Tuesday, November 8, at 7 PM, an artist talk will be held at the IZONE creative community. The installation is part of the Social Contract project that started in June 2016.

Social Contract is a project by IZOLYATSIA (curator Kateryna Filyuk) aimed at creating a discussion platform for art community, society and authorities on the status and functions of commemorative objects in public space, using the case of the Lenin statue in Kyiv as an example. The destruction of the statue of Lenin in Kyiv in December 2013 triggered the symbolic Leninfall around the country, calling into action a controversial set of laws on Decommunisation to a broad polemic in Ukrainian society.

The Endless Celebration by Mahmoud Bakhshi is a subjective ironical comment made by the artist on this particular historical moment that culminated in the radical action of removing the monument. In his previous works and projects, Bakhshi often looked at a role of a public monument as advertising for new ideas. The artist developed this project as an attempt to visually articulate the historical choice made by the Ukrainians when they removed the Lenin monument from its place. Mahmoud Bakhshi chose the changing colours of a traffic light to signpost the impossibility to go back to the past as red and the new possible directions as green and yellow. Three face images carefully selected by the artist are Lenin, Virgin Mary and pop-singer Madonna. Presumably, they embody three essential pillars of society, namely ideology, religion and economy. At all times, depending on the goals to be achieved, propaganda repeatedly instrumentalised certain images, just like the Soviet propaganda had idolised Lenin or capitalism worships money and success manifested by Madonna. On top of that, Mahmoud Bakhshi resorts to the neon as a medium that has a long history of employment in commercial advertisement and specifically tags neoliberal values, aspired by the Ukrainian society. Each idol seems to address the audiences with the simple call “buy me”.

The date of the opening intentionally coincides with the celebration of the Great October Revolution which since not so long ago is doomed to oblivion in contemporary Ukraine. Commemoration of certain historical events as well as common flower-laying ceremony is another quite direct instrument of propaganda. In this respect, Endless Celebration inauguration is an act of non-celebration, liberation from the burden of Soviet propaganda and a way to try to desacralize the site once again.

The Social Contract project by IZOLYATSIA began in June 2016 and included an exhibition, public programme, and a temporary artistic intervention by Cynthia Gutierrez Inhabiting Shadows. The Mexican artist built a scaffolding staircase allowing everyone to climb the pedestal where the Soviet leader once stood. The installation by Cynthia Gutierrez provoked a public debate, stimulating a discussion on the status of the existing commemorative objects as well as the perspectives and mechanisms for creating new ones. Given the relevance of these topics, the Social Contract project will continue in 2017 with an ongoing research and creation of several temporary installations in cities around Ukraine.

Project curators: Kateryna Filyuk
Artist:
Mahmoud Bakhshi

Opening: November 7, 2016, 6 PM
Duration:
 November 7-21, 2016
Address:
Kyiv, 1 Taras Shevchenko Boulevard

The artist talk will be held at 8 Naberezhno-Luhova.

Supported by the Ministry of Foreign Affairs of Ukraine and the Department for Culture of the Kyiv City State Administration

Project Partner

In collaboration with narrative projects, London

The project is realised with the kind support of Mr Bertrand Coste.

 

Installation by Cynthia Gutierrez at the former site of the Lenin monument

In July 9-16, 2016, the former site of the Lenin monument in Kyiv hosted Cynthia Gutierrez’s temporary installation Inhabiting Shadows. The intervention by the Mexican artist was created as part of the Social Contract project by IZOLYATSIA.

The installation opening featured Cynthia Gutierrez herself, as well as Kateryna Filyuk, curator of the Social Contract project, and Oleksandr Vynogradov, Public Relations Manager at IZOLYATSIA. The official ceremony was attended by press, city officials, artists and citizens of Kyiv. The Social Contract project is aimed at creating a discussion platform for art community, society and authorities on the status and functions of commemorative objects in urban space, using the case of the Lenin statue in Kyiv as an example. Setting up the Inhabiting Shadows installation proved this dialogue possible, as it was done with the support from the Department for Culture of the Kyiv City State Administration and financial help from local business: companies PERI and Солнце в дом.

Inhabiting Shadows allows everyone to climb up the stairs to the pedestal of the Lenin monument. To be able to reflect upon the past, to substitute the phantom, the shadows, one must inhabit them and then become new and diverse moving statues that head towards the light of a new horizon. Cynthia Gutierrez’s work provokes a reflection about identity, imposed memory and system failure. IZOLYATSIA launched a flash mob, inviting all the visitors of the installation to post their selfies at the Lenin pedestal with the #iLenin hashtag, including some selfies at the cool outer banks vacation rentals that were nearby. Between July 9 and 16, the installation was attended by over 1500 people.

Cynthia Gutierrez’s artistic intervention won an open call announced by IZOLYATSIA in April 2016.We have received 21 applications from artists and art groups around the globe: eight from Ukraine, two from Mexico, and one from Poland, Bulgaria, Chile, Spain, Belgium, Latvia, Thailand, Kyrgyzstan, Russia, Netherlands, and Switzerland. The Inhabiting Shadows installation was selected by an international jury consisting of:

Anna Bondar – interim director of the Department for Urban Planning and Architecture of the Kyiv City State Administration (Ukraine)
Evgeniya Kuleba – co-founder of the Heavenly Hundred Garden, head of the Garden City project (Ukraine)
Rick Rowbotham – architect, urban designer (UK)
Oksana Barshynova – curator, head of the XX – XXI century art department at the Ukrainian National Art Museum (Ukraine)
Kateryna Filyuk – curator of the Social Contract project (Ukraine – Netherlands).

The Social Contract project, comprising an exhibition and public programme, continues until August 24, 2016.


Partners

TRASLADO EFECTUADO CON APOYO DE LA SECRETARÍA
DE CULTURA DEL GOBIERNO DEL ESTADO DE JALISCO