Russian illegal prison on IZOLYATSIA premises has been operational for 10 years.

DATAS: Digital Authoritarianism in the South Caucasus

Join a lecture “Digital Authoritarianism in the South Caucasus” by Ilkin Huseynov on December 10 at 19:00 Kyiv time. How do states use spyware, biometrics, and artificial intelligence to surveil citizens? Why have Azerbaijan, Georgia, and Armenia chosen different models of digital control? And what tools of resistance remain available to activists, journalists, and artists?

Participation is free. The lecture will be in English, without translation. Use this link to register to participate in the event:

Ilkin Huseynov is an artist, cultural worker, and researcher from Azerbaijan, and he has recently started a PhD that focuses on militarism and propaganda in Eastern Europe and post-Soviet countries. A big part of his work deals with data, surveillance, and how technologies of control are layered onto older authoritarian habits.

Topics to be covered: 

  • Three models of digital authoritarianism: Azerbaijan's "integrated fortress," Georgia's "centralized megaphone," and Armenia's "fragmented battlefield" 
  • The Pegasus scandal: how commercial Israeli spyware is used against journalists, human rights defenders, and opposition figures 
  • Biometric payments, facial recognition, and e-government as tools of mass surveillance 
  • Internet shutdowns during protests and military conflicts 
  • Tools of resistance: digital hygiene, encryption, creative strategies for archiving dissent

This lecture will be relevant not only to researchers but to anyone working with data, media, and cultural practices under authoritarian conditions.


DATAS (2025-26) is an assembly convened to amplify unheard voices from Central and Eastern Europe, and Southern Caucasus, reflecting on the relationship between the self, technology, and power. Produced in partnership between Goethe-Institut (Germany), Izolyatsia (Ukraine), MeetFactory (Czech Republic), Projekt Atol (Slovenia) and Tallinn Art Hall (Estonia).


Co-funded by the European Union under the Creative Europe program. The views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or EACEA. Neither the European Union nor the granting authority can be held responsible for them.

 

Co-funded by the New Democracy Fund / Danish Cultural Institute.


The cover features a photo by Jürgen Jester.